Chipping For Truth: Film Uncovers Secrets To Symbols In Washington, D.C. — Interview with David Bay, Producer of Cutting Edge

LOS ANGELES, Calif. Comedian George Carlin once said that he leaves American flags and yellow ribbons to the “symbol-minded.”

Obviously, Carlin has no use for those who practice patriotism, but the same can’t be said for David Bay who takes seriously the people who employ symbols of the occult.

“It really doesn’t matter if a common citizen doesn’t believe in the New World Order. The people who control all the armies and nuclear bombs in the world, they believe in it. They hold the power,” said the executive producer of “Cutting Edge.”

As such, Bay recently released the second in a seven-part DVD series, “Secret Mysteries of America’s Beginnings.”

This new volume “Riddles in Stone Secret Architecture of Washington, D.C.” unlocks the hidden meanings behind the artwork and layout of our nation’s capitol city.

The “Secret Mysteries” series has expanded some after Bay spoke with the Iconoclast last year. So much more information has bubbled up since his award-winning film “The New Atlantis” was first released that two more films will be added, he said.

“We want people to be aware of the meanings of these things and to be aware that the history of America is a history of the secret societies,” said the executive producer.

Where “Atlantis” left off, Bay continues to build his case almost literally from the ground up with “Riddles.”

In “Atlantis,” the film postulates that President George W. Bush is actively yet not so subtly carrying out a plan to establish a “new world order.” This plan, so the theory goes, was originally hatched 425 years ago by Sir Francis Bacon.

In “Riddles,” evidence of Satanism mounts as Bush appears to quote an occult book written by a White House aide.

“It’s just amazing,” said Bay. “Bush after 9/11 fulfilled the Illuminati plan to a T for what they wanted done the wars in Afghanistan and Iraq and the passing of dictatorial laws. I mean, Patriot Act I & II are extremely dictatorial. Basically, we’ve lost all our rights and privileges. The government can do whatever it wants to do.”

But to see the depths of this twisted plan, one can look at how the way the streets of Washington, D.C. are structured, he added.

The Iconoclast’s resident skeptic Nathan Diebenow spoke with Bays recently to discuss Masonic symbology, the differences between Masonic presidents, and protections against unwanted images.

Here is that interview: