Iconoclast Readers Mourn Loss Of Aldo Vidali

Aldo Vidali, one of The Iconoclast’s main editorial contributors, passed away April 11, 2016, due to heart failure and complications from a recent hip replacement surgery. He was born on Feb. 12, 1930, in Bruxelles.

According to Vidali’s wife, Viktoria, his passing “was quick and without prolonged pain, the way he hoped his death might be.” She was with him at the physical therapy center where he had been transferred after the operation when the first symptoms occurred. She was by his side in the emergency room later that day when he took his final breath. He told her before dying, “I have had love in my life, the only thing that truly matters.”

An adventurer, Vidali spent much of his life championing human rights, which was evident in his numerous writings for The Iconoclast. The newspaper published his biography in a July 5, 2006 edition that focused on a film he was directing called “Deflating The Elephant.” Below are parts of the feature he penned along with his biography that was published at that time.

Vidali is survived by Viktoria and two sons, Orlando and Lorenzo.

Bio: Aldo Vidali, Published July 5, 2006

Production is under way on Deflating the Elephant, a film based on George Lakoff’s bestseller “Don’t Think Of An Elephant.”

Producing the film is Aldo Vidali, an Italian documentary film director who lives in Northern California and teaches at the Fellini-Antonioni Acting Studio.

Vidali, an outspoken champion of individual rights, embarked on the film to illustrate how conservatives are using frames to negatively sway public opinion and to encourage the public to make a stand against  tyranny while the opportunity remains.

The film is styled in the tradition of famed Italian director, the late Federico Fellini, with whom Vidali collaborated on films years ago.

Born in Ixelles, Belgium, Vidali was educated in Rome, Italy.

He and his family joined the Resistance Movement against fascist and Nazi forces during World War II.

When he was only 13 years old, he was captured by the Nazis during the Fosse Ardeatine Nazi dragnet in Rome, but was released shortly thereafter because of his age. At the time, his family members were sheltering several Jewish refugees in their apartment to prevent their deportation to death camps in Germany.

At age 18, Vidali explored the tropical wilderness of  the Brazilian interior selling Coleman lamps and stoves to primative villages as a way to earn college tuition.

He came to the United States to study geology at the Colorado School of Mines in 1950 and later prospected in the Mexican states of Sonora and Durango.

After selling his interest in his Mexican mineral discoveries, he returned to Europe to do documentary film work. It was here that he collaborated with director Fellini on a project entitled The Stange Voyage of Mr. Mastorna and learned directing and cinema acting during the Fellini creations of 8-1/2 and Boccaccio 70. He had a brief professional relationship with Luchino Visconti.

Vidali also dealt with government and entertainment industry VIPs such as President Johnson, Jack Valenti, John Mecum, and Peter Sellers.

His documentary works originated a new genre, superimposing fiction on real-life documentary backgrounds.

Straw Hat and the Crown, shown on the Italian R.A.I. Television Network, received recognition even from the Vatican for its subtle moral theme set off by contrasting a fairy tale on a background of real life events.

In 1963, Vidali went to Africa as Second Unit Director of the feature documentary Good-bye Africa, a Rizzoli Production. He covered South Africa, Southwest Africa, Mozambique, Kenya, Zanzibar, Congo, and Angola.

This exposed him to a wide range of human beings, both as a film director as well as the liaison officer between the South African government and the Italian film unit.

Back in the U.S. in 1965, Aldo wrote and directed Sunset at Dawn, a predictive environmental film essay on the worsening ecological crisis, followed by Trail to the Stars, a film view of the NASA space program contrasted with America’s pioneering past. These were followed by a series of minor commercial works.

In 1970, he began construction of a 57 ft. sailing ketch in Malibu, California. Simultaneously, he opened a New Age café supporting the flower children revolution in the Topanga hills. The café operated during the years of Aldo’s boat building.

In 1978, Vidali participated in the environmental-political campaign in Kauai, Hawaii, to save the island’s pristine shorelines at Nukoli’i from yet another tourist development.

In 1980, after years of boat building, the Arcana was launched. Sea trials began around California’s Channel Islands. Outfitting and shakedown cruises went on to prepare for a major bluewater voyage in the Eastern Pacific.

In 1984, Aldo, his wife, Viktoria, and their two-year old son Orlando set sail for the Eastern Pacific. They explored the West Coast of Mexico, Baja California, Sea of Cortez, Marquesas Islands, Tuamotus Archipelago, Society Islands of Tahiti, Moorea, Raiatea, Bora-Bora, the Hawaiian chain, British Columbia, and the Northwest Coast of the Americas. Their voyage covered approximately 40,000 nautical miles.

This adventurous chapter of their lives includes the wild experience of Hurricane Ima, when the Arcana rushed to find refuge in Moorea’s Cook’s Bay in the Society Islands. Later, in a final adventure of their four-year voyage, Aldo, Viktoria, and Orlando survived an attack on the high seas by a North Korean fishing ve ssel by cat and mouse out-maneuver. The Vidalis left Puget Sound immediately after the birth of their second son, Lorenzo.

So, in 1987, the Arcana sailed down the West Coast and landed in San Diego, California. The Vidali family, while happily raising their sons, worked to preserve the remaining natural resources of the Golden State.

A champion of the environment, Vidali later challenged Republican Interior Secretary James Watt, when Watt opened vast sections of Federal lands to exploitation. Vidali developed a plan to preserve the wilderness by rushing to the Denali region of Alaska, forming the Alaska Capital Corporation (ALCOR), and leasing thousands of acres of federal oil lands.

Explained Vidali, “The Watt Administration had assumed that small entrepreneurs could not afford to drill in the Arctic, thus leaving the course clear for major players. ALCOR deliberately proceeded to subdivide the leases into impractical 40-acre parcels, which would oblige major oil companies to buy out each and every one from far too many owners before they could move in and drill. One single holdout lease could stall exploration for years.”

Vidali hired and trained agents to successfully distribute tiny oil lease parcels across the nation. This maneuver caught the oil industry by surprise, and by the time they pressed the government to impose a minimum parcel size of 2,500 acres, it was too late. Big Oil tried to make the law retroactive. Vidali blocked that illegal attempt by notifying all leaseholders to demand their rights against this undemocratic scheme of Big Oil. This tactic was successful, and thus prevented major exploitation of the Denali for 10 years.

Vidali returned to the mainland in late 2000 where his family created a film with students under the UNECO label entitled Life & Liberty in the Balance, protesting the court-appointed Bush administration.

Vidali is currently in pre-production of a full feature documentary: Toward a Global Open Society, a dialogue between great contemporary minds and the American people. This film addresses the urgent need of all citizens to participate directly in dialogue and action to restore their Constitutional Republic.

Reviving the motion picture work developed under Fellini’s guidance, Vidali is now teaching and preparing productions dedicated to promoting the restoration of American Democracy, defense of the Bill of Rights, and openly denouncing the neo-fascist “Patriot” Act and the neocon imperialistic scheme against America.

Vidali currently lives with his wife and two sons on California’s Central Coast. He volunteers as Chairman of UNECO, a nonprofit environmental and humanitarian corporation, and is active in the United Defenders of Liberty Movement.

He speaks English, Italian, Spanish, French, and Portuguese, and is a public lecturer on social, educational, and environmental subjects.

Excerpts From His Feature On “Deflating The Elephant”

Few clearly perceive how dangerous the world situation is becoming.

Inhuman money controls mass media and deliberately broadcasts as many frivolous distractions as possible to keep people from noticing the fascist beast closing in on millions of unsuspecting victims.

Current diabolical schemers make Hitler and Stalin look like dilettantes.

Their skills at diverting attention by frequently sounding terror-lurking-under-every-bush alarms have been honed to perfection. A movie can expose them with scandalous evidence.

As a boy, I experienced arrogant Italian Fascism and the evil of rightwing fanatical religionism.

In December 2000, when America was flagrantly betrayed by five black-robed hypocrites, shivers of horror went  down my spine. Our grassroots organization immediately net-published a large front-page headline: “DAY OF INFAMY – Fascist Coup in the United States!” which was printed over a photo of marching Nazi SS troopers.

Friends objected that to use the word “fascist” was an exaggeration.

Now, six years later, most are as outraged as we were then and have been ever since.

In 2004, a second national election was stolen by the same fascist cabal and American democracy de facto ceased to exist, except in the deluded minds of sleeping TV network audiences.

That year, University of California Berkeley Professor George Lakoff ’s book, Don’t Think of an Elephant, appeared and was an instant bestseller.

What it revealed is how linguistic frames influence social conditions.

Reading Don’t Think of an Elephant was a stunning clarification for me of how evil ideas throughout history are framed to allow “the few” to control and oppress “the many.” Indeed, ideas projected through invisible linguistic frames can transform the mind.

Lakoff ’s scientific explanations brought back memories of working with Federico Fellini and learning from him how cinematic images change society.

For example, after Fellini’s Casanova and City of Women, I had watched downcast Italian males leaving theaters, stunned. Exaggerated Italian machismo was crushed by these great films and never fully recovered.

Fellini’s demolition of century- old prejudices and Lakoff ’s linguistic art of framing suggested to me a potential cinematic cure for America.

It was my good fortune to share Federico’s thoughts about dreams and metaphysical questions while he was conceiving his mysterious story, The Voyage of G. Mastorna. This work contains some of his visions and speculations about the human state in this world and after death.

During that unforgettable experience, Fellini explained how cinematic images liberate, dissolve fear, and open our lives to perceiving the subtlest aspects of the world. That “sceneggiatura”— The Voyage of G. Mastorna — is now known as the most famous never filmed-screenplay in the history of cinema.

Fellini’s insight on the magic of light gives us a glimpse of the profundity of his art.

He said:

What is light? If cinema is images, light is its evident essence. In cinema, light is idea, sentiment, color, profundity, atmosphere, style, narrative, poetic expression. Light is the magic power that adds, cancels, softens, suggests, exalts, alludes, underscores, and renders the fantastic credible and acceptable, or, on the contrary, creates

transparencies through which the gray daily reality becomes rich, fairytale like. With a single reflector and a pair of lights an opaque face, with as much expressiveness as a bare knee, appears intelligent, mysterious, fascinating; an open, benevolent, peaceful face becomes sinister, menacing, frightening.

The poorest scene — squalid, shabby — can with light reveal enchanting or ominous aspects…barely moving a 5000-watt light and lighting up an opposite light, all the feelings of anguish vanishes and everything is serene, comfortable, homey. Finally, film is written with light; the style of an authentic filmmaker is expressed with light.

THE MOVIE

Uneco Productions’ Deflating The Elephant owes much to The Strange Voyage of G. Mastorna. Like Mastorna, it is a voyage into past and future … in this world and in an imaginary world where humanity is at last cured and  grown to maturity and sanity … a satirical, historic, amusing, and symbolic movie.

Like Moby Dick, Deflating the Elephant is about hunting large beasts that incarnate evil. It will bring down the rogue pachyderms that are devastating our world (just as Twentieth Century fascists and Bolsheviks devastated theirs) by unmasking the secret class war the rich are waging against the American people.

The hunting weapon this film delivers to the people is a Fellinesque-Lakoffian bow with arrows that can pierce soft, bloated underbellies of the fascist beasts and deflate them of their foul, hot air.

George Lakoff exposed the fact that conservatives spent 40 years and billions of dollars to grow, feed, and empower these land-roving Moby Dicks. False conservative frames have just about destroyed our 230 years of progress toward a vision of democratic culture and equality before the law and have nearly extinguished the American dream.

It is especially important and urgent that millions of Americans clearly understand why sharply framed and well-aimed progressive ideas can instantly bring down the ugly beasts.

The speed of change possible through strategic use of visual frames must be understood by all those liberals who wring their hands and worry that the deceitful conservative frames erected over four decades by lavishly funded, right-wing think-tanks may take just as many years to demolish before our Constitution can be restored and “We The People” take our country back. This is not so! If we had to wait 40 years, there’d be no country left to take back and no environment to restore.

HOW THEY STOLE OUR COMMONWEALTH

Exposing how we have been robbed is sobering. Conservatives used many deceiving frames to steal from us. We’ll tackle here just a few of the metaphors they employed to deform one of democracy’s most fundamental pillars: justice.

Mixing Fellini’s cinematic secrets with Lakoff ’s scientific brilliance is like mixing nitro and glycerine — which makes up dynamite. Liars and thieves are in for a big surprise.

The neo-crooks have been fanning the flames of a still unexplained 9/11 tragedy into a fabulously profitable perennial frame: “war-on-terror.”

What should have been an international police hunt by civilized nations has turned into a deadly, trillion-dollar con job.

In reality, there is no war. The phony “war” frame provides a legalistic and pseudo-moral justification for flag waving, criminal wars of aggression, and the dismantling of our Constitution.

The 9/11 Commission colluded with Bush and Cheney so that the inseparable twins were conveniently questioned together – to avoid contradictions — behind closed doors, and not under oath for fear of future indictments for obstructing justice.

The questioners were all tail-wagging administration’s lap dogs.

Lights and cameras will capture the criminal activities of the national security organizations that colonize the world with prisons, torture chambers, and concentration camps. The horrors of so-called rendition (criminal

kidnapping with torture outsourcing) and the deployment of massive domestic electronic spying networks that outrageously violate the Constitutional rights of American citizens and intrude even on their attorney-client privilege will be exposed.

What was once a country of laws is now a country run by a self-declared fundamentalist despot claiming the privilege to violate any law he chooses.

From: “The Most Evil People in the World,” by Doug Soderstrom, Ph.D.

In his book: Gangs of America [download a copy at http://www.gangsofamerica.com], Ted Nace reveals the preposterous way the U.S. was taken over by big business.

Historically, it was the battle between democracy and corporations that started the American Revolution. The Boston Tea Party was an action to block the British East India Company, the most powerful corporation that ever existed, from monopolizing the American commodities markets, starting with tea. The American Revolution was a pragmatic economic rebellion against an overbearing corporation and an oppressive government thoroughly intertwined with it.

The East India Company had planned to replace independent local merchants with a company-owned distribution system, i.e., an early version of what we now call “vertical integration,” like, for example, oil companies owning wells, refineries, and gas stations.

Boston pamphleteers — we had a free press then — laid out the scenario in detail, warning that if the British were to succeed in bringing the tea distribution system under sole control of the East India Company, they would inevitably repeat the same scheme for other imported commodities.

Sound familiar? Think of the WTO.

The East India Company, if once they get Footing in this (once) happy country, will leave no Stone unturned to become your Masters. They are an opulent Body, and Money or Credit is not wanting amongst them. They have a designing, depraved, and despotic Ministry to assist and support them. They themselves are well versed In TYRANNY, PLUNDER, OPPRESSION and BLOODSHED. Whole Provinces labouring under the Distresses of Oppression, Slavery, Famine, and the Sword, are familiar to them. Thus they have enriched themselves, thus they are become the most powerful Trading Company in the Universe.

Excerpt from a broadside signed “A Mechanic,” Philadelphia, December 4, 1773.

Imagine a private company so unaccountable that it conducts its own criminal trials and runs its own jails; so dominant it possesses a 250,000 man army, twice the size of Britain’s, to fight company wars; and so predatory that for more than two centuries it squeezes the economy of the richest country in the world until observers report that some regions have been “bled white.” A third of Parliament owns stock in it, and a tax on its tea constitutes 10% of the government’s revenues. Even the King is dependent on periodic “loans” from the company!

When the cargo ship Dartmouth arrived in Boston Harbor on the night of December 16, 1773, approximately 150

men assembled at the home of the Boston Gazette and Country Journal’s founder. They came from many backgrounds: some were apprentices, some tradesmen, some wealthy owners of businesses. By dawn, the entire shipment of tea had been destroyed. The American Revolution would soon be under way.

One glaring example in a long record of uncontrolled corporate evil was unleashed against this country in 1936:

[C]onsider this unpunished crime, committed by the leadership of General Motors, together with Standard Oil of California, Firestone Tire and Rubber Company, B. F. Phillips Petroleum, and Mac Manufacturing.

In 1936, the five companies formed National City Lines, a holding company that proceeded to buy electric trolley lines and tear up the tracks in cities across the nation.

Each time it destroyed a local trolley system, National City would license the rights to operate a new system to a local franchisee, under the stipulation that the system convert to diesel powered General Motors buses.

By 1949, more than 100 electric transit systems in 45 systems had been torn up and converted. In April of that year, a federal jury convicted GM and the other firms of conspiracy to commit anti-trust violations. But the judge set the fine for each company at $5,000. Seven executives were fined one dollar each. After the conviction,

the companies went back to purchasing transit systems, removing electric trolley lines, and replacing them with buses. Gangs of America, Introductionp. 7.

As Atlanta mayor and former United Nations ambassador Andrew Young once observed, “Nothing is illegal if 100 businessmen decide to do it.”

In 1882-83, Judge Stephen Field’s Ninth Circuit Court, with twisted judicial sophistry, established the personhood of corporations in Santa Clara County v. Southern Pacific. This self-evident absurdity has proven to be a menace to democracy and humanity.

Judge Field’s tortuous legalese behind the creation of immortal, frankensteinian corporations coincided with the

view of Professor John Norton Pomeroy, namely: “The truth cannot be evaded that, for the purpose of protecting rights, the property of all business and trading corporations IS the property of the individual corporators.

A state act depriving a business corporation of its property without due process of law, does in fact deprive the individual corporators of their property.

 In this sense, and within the scope of these grand safeguards of private rights, there is no real distinction between artificial persons or corporations, and natural persons.”

Ted Nace explains why an understanding of this is critical:

As simple as this false argument sounds, it was a significant departure from established legal doctrine, which had always made a distinction between corporate property and individual property. The most crucial distinction is that owning shares in a company allows a person to own property without being subject to the sort of accountability to the community that normally attends the ownership of property [emphasis

added]. For that reason, courts had never assumed that shareholders in a corporation should expect equal  rights; on the contrary, the enjoyment by corporate shareholders of privileges such as limited liability justified applying special restrictions to corporations and their owners. Gangs of America, p. 118.

It is self-evident that giving legal personhood to a corporation, while enjoying all other rights, also creates the right to do wrong and escape responsibility.

In the 2006 California primaries, the residents of Humboldt County said enough is enough and successfully challenged corporate personhood.

THE NEAR FUTURE IN LIGHT OF HISTORY

America won its greatest victory against Italian fascists, German Nazis, and Japanese imperialists while fighting for democracy under the leadership of liberal President Franklin Delano Roosevelt. After WWII, humanity renewed its hope in the flowering of a great civilization founded on the principles of the Universal Declaration of Human Rights: a world in which nuclear holocausts like Hiroshima and Nagasaki would never again happen; where war, death-camps, fascist oppression, and gulags, would forever be mere memories of past insanity;

where international law would settle disputes and people everywhere would become self-governing; where victorious nations would cease selling instruments of death and instead spread the profitable tools of healthcare, economic prosperity, and environmental conservation.

However, the realization of this hope, this beautiful dream, never did come to pass. Bloodshed and destruction quickly resumed and continue to this day: Korea, Vietnam, Palestine, Nicaragua, Guatemala, Iran, East Timor, Africa, Cambodia, Chile, Argentina, Bosnia, and Iraq.

So, who are the Oids!? They are that recurring percentage of psychotics throughout history that makes peace and justice impossible. It is imperative that Oids be exposed if we are to cure humanity and create a progressive world.

By way of explanation, adding “oid” to any word alters its meaning to: “made in the form of ” or “pretending to be.” For example, when “oid” is affixed to the word “sphere,” it becomes the word “spheroid,” which means “made in the form of a sphere” (not a real sphere).

“Oid” is, therefore, a label for “hypocrites” and for all those who pretend to be something they are not.

A Christianoid can then be defined as “a pseudo-Christian” or anyone pretending to be a follower of Jesus while at the same time supporting war, torture, and the death penalty.”

Let’s be creative here.

A patrioid is a flag-waving idiot who forgot that the flag represents the Union established by the U.S. Constitution.

“Monkeys can wave flags, but that does not make them patriots!” noted Scott Ritter (who is a real patriot).

All evildoers can be lumped under a single label: “humanoids” — that is, beasts made in the shape of humans.

EMOTIONAL HONESTY vs. POLITICAL CORRECTNESS

Recently Senator Murtha – who is to be highly commended for is outspokenness against the war — protested criminal military actions in Iraq. While he deserves praise for this, it is evident that Senator Murtha is unfortunately still a victim of political correctness.

After the Haditha massacre committed by U.S. troops, he said: “One woman, as I understand it in talking to the officials in the Marine Corps, was bending over her child, pleading for mercy, and they shot her in cold blood. That’s the thing that’s so disturbing.”

What an astounding hyper-understatement!

As much as Senator Murtha must be admired for his courage, in following the Washington-accepted PC communications style imposed by the conservative culture of hypocrisy, he failed to galvanize public condemnation.

How can murder in cold blood be referred to as simply “disturbing”— is such a satanic crime not outrageous beyond belief? Diabolical? Insane? Nauseating? Evil? Does it not call for Divine vengeance?

To bring it home, just imagine yourself finding your own family slaughtered in cold blood and hearing someone politely saying: “I am troubled” or “I’m disturbed.”

Emotionally honest people express their pain and anger openly and directly.

One trick satanic corpo-media use is to make justified outrage and righteous indignation look like hysteria. Any sincere expression of shock and revulsion in the face of a crime is treated as excess so insistently by criminal media whores, that all truth is neutralized and soon forgotten.

This is how the odious mediaoids subliminally train decent people to restrain sincere dismay, disgust, and rage to grotesque levels of apparent indifference to the suffering of others.

We are told by inhuman monsters never to “lose our cool,” never to let anger roar to the level of rage in our voices, never to dare call killers murderers, especially if they are a part of our own despicable government.